These images were provided to me from a facebook friend, Bunny Clinard Wilson.
The photos were printed out on 20lb. paper (regular copy paper), I coated them with transparent gesso then I painted them using pastels. It's easy and fun.
I add Karo syrup to my watercolor pan. These are done on regular copy paper. Once cured I varnish the pieces to eliminate stickiness.
My working setup.
my family 1957 Karo syrup and watercolor experiments
the Karo syrup acts as a slowing down agent when added to the watercolors. This slowing process gives the colors time to gather and blend together. The end effect is a very deeply saturated painting. This technique leaves a nice shine too.
This is a photocopy of my dad, 1950, in front of the mission in Monterey, CA. I have been playing around using Karo syrup with my watercolors. The syrup allows the colors to drift more slowly into one another creating a vintage postcard effect. I lay the photocopies out on parchment paper to paint and cure. Once cured (about a day) I varnish them with an acrylic varnish - the look remains the same, but not sticky.
In the upcoming Nov/Dec 2015 Somerset Studio magazine my new technique will be featured. I experimented using shaving cream as a medium. I mixed in fluid acrylics or liquid inks and painted using a palette knife - as though frosting a cake. Here is the beautiful, dreamy result. And it smells fabulous! The recipe will be in the magazine.
My mom, 1950
Image from a collage sheet I bought from Red Lead Paperworks
Here is an example of painting on top of a photocopy by brushing on correction fluid (Wite-Out). Next I painted over it with watercolor. The correction fluid made a resist which also created beautiful textures.
I'm using Wite-Out correction fluid as a resist. I paint on the fluid with a brush then once dried, I watercolored it. I love that beachy feel of this resist technique.